Tag Archives: limited edition

Bespoke Leather Sketchbooks

Made to measure for artist HRH Rostislav Romanoff III containing 50 leaves of specialised Sanders Waterford HP heavyweight paper.  These lie-flat Coptic bindings, finished in fine Moroccan leather are reinforced magnetic closure and bone clasp.

Made to measure at 38cm T x 28cm W x 6cm D

To order your own sketchbooks or create your Artist Edition, CONTACT the studio with your requirements for a quote.

 

New Bone Folders

SPECIALIST small folders

In polished bone and horn, these folders are perfect for delicate work, box making, small bindings and tight corners.  Hand tools of excellent craftsmanship for creating beautiful hand bound books, boxes, portfolios and all kinds of hand worked items where intricate detail and careful finishing are essential.

Bone FoldersBone Folders

 

 

 

 

 

Polished 4″ BONE Folder  £7.50

Polished 4″ HORN Folder  £8.00

SEE OUR STOCK OF BOOK ARTS & BOOKBINDING HAND TOOLS HERE   including our standard 6″ treated bone folders, Bookbinder Tool Kits, Materials, Bookcloth, Pre-cut project kits, hand marbled papers and more.

Standard 6″ Bone Folders, Treated  £9.00

Our standard size 6″ bone folders are treated to resist stains, adhesives and added strength for durability gradually acquiring a natural sheen and polish through normal use becoming more beautiful over time.  An essential hand tool for any bookbinder or artist whose work depends on craftsmanship and fine finishing.

 

Asahi Luxury Japanese Bookcloth

These paper-backed bookcloths are perfect for a rich and elegant finish.  Luxury archival material for books, boxes, portfolios, journals, albums and presentations.  Limited selection by the half or whole metre.

Japanese bookcloth

With a soft sheen and gently textured, these Japanese fabrics are easy to work adding a beautiful finish to artist editions, unique volumes and special projects.  Dye lots may vary, for exact match please order complete quantities at the outset.  Computer settings may effect colour perception.  Samples provided by request, special orders accepted.  ORDER ONLINE, UK Mainland Shipping

UWE Bookmark 2015:  ‘Jove’s Brother’UWE Bookmark 2015

Just completed, this year’s SPECIAL EDITION BOOKMARK for the University of the West of England‘s Centre for Fine Print Research ‘Bookmarks’ project is about to be shipped!

Inspired by Meg Green’s work, ‘JOVE’S BROTHER’, this edition of 100 signed and numbered bookmarks includes the electronically readable QR CODE of Jove’s Brother, transparent text and a random slice of Herman Melville’s iconic ‘MOBY DICK’ riveted together in layers.

The UWE ‘Bookmarks’ project aims to encourage appreciation of artists’ books as works of art. Participating artists each produce an edition of 100 signed and numbered bookmarks to give away through distribution boxes at venues around the world.  Over the years these bookmarks have been distributed in more than 125 galleries, bookstores, workshops, centres, schools and libraries in Australia, Brazil, Canada, Croatia, Cyprus, Denmark, Egypt, France, Germany, Iceland, Ireland, Italy, Japan, The Netherlands, New Zealand, Norway, Poland, Singapore, Spain, South Korea, Switzerland, Turkey, the UK and USA.

Order your own 2015 signed, numbered limited artist edition bookmark ‘Jove’s Brother’ by Meg Green.


Jove's Brother UWE Bookmark 2015 (3)   Jove's Brother UWE Bookmark 2015 (2)

More about ‘Jove’s Brother’

An observation on our evolving relationship with books and reading in a digital age.  Get out your QR code reader to explore this new book on reading in the age of digital media.

“Why did the Greeks give it a separate deity and own brother of Jove?  It is the image of the ungraspable phantom of life; and this is the key to it all.”    –  Herman Melville, Moby Dick, 1851

Artist Book kindle e-reader

‘Jove’s Brother’ by Meg Green 2015

The discussion surrounding overtaking technologies isn’t new, it’s one we have every time a new technology redraws the ways in which we perceive and communicate ideas.  Photography was supposed to have killed painting, video was supposed to have killed film.  Once upon a time, books were the new ‘technology’ that threatened the practice of impressing pointy Cuneiform shapes into little clay tablets.

Clearly, digital books aren’t somehow ‘better‘ than conventional paper books, they’re simply a different medium of exchange.  We aren’t confused about it either, we see and feel the differences between a conventional book and an e-reader, a paper page and a digital screen.

We are physical creatures, our perceptions conceived and conducted within our organic brains and bodies.  We maintain physical immediacy with the objects through which we express ourselves, exchange experiences and communicate ideas.  Our methods continue to change and evolve but this helps refine our subtlety and depth of understanding, our relationship to ‘reading’, books, text, coded images and abstract perceptions.

The Codex and The Screen: Stating the ObviousOriginal Artist's Book by Meg Green

The book: a codex of turnable paper(?) pages assembled within covers comprising a set of material properties specific to its construction.  The illuminated screen, whether an e-reader, mobile phone, laptop or billboard, obviously behaves in ways specific to its own material properties.  The idea of Reading has traditionally implied a universality across all forms of media => Reading is reading, without regard to the format or context of the material.

However, the way we interact with different types of reading is now the pivot of change in digital media.  Reading is no longer a universal or uniform activity irrespective of the mediating device.  Marshall McLuhan taught us this decades ago with ‘The Medium is the Massage’.  We ‘read’ differently from a screen, a mobile, a roadside sign, or a paper codex.  It’s not just about absorbing information or finding things out, an activity well served by the internet.  The aesthetic experience of reading depends on the way we access it.  Memory, retention and depth depend on the material properties we select for different types of reading.

Research on the changing way we readOriginal Artist's Book by Meg Green

A new European study led by Anne Mangen of Norway’s Stavanger University documents differences in the immersion, recall and emotional responses based on whether material is presented in traditional paper book form or via digital e-reader.  Researchers found that digital reading is becoming more intermittent and fragmented.  They also found that the time invested in sustained reading strengthens our ability to maintain long term focus, improves our understanding of depth, complexity and layered meaning, and provides a more thoroughly immersive experience.  Sustained focus helps people, especially children at formative education levels, prepare for and negotiate complex life situations with more balanced references to deeper memory and cultural experiences.

Why Moby DickOriginal Artist's Book by Meg Green

I turned to Herman Melville’s ‘Moby Dick’ as an intuitive choice specifically appropriate to my vision for this work.

Moby Dick is famously debated as one of the few compositions in any language about which no one seems to agree on its content.  Ask any number of scholars, professors, casual readers or innocent bystanders what it’s ABOUT and you will get as many answers as there are questions.  There are central themes, of course, but there is no consensus on the subject of this book.  Is it about fishing?  About the sea?  A philosophical discussion about Savage Nature versus the Devine?  Yes.  And no.

The open, ongoing and seemingly timeless discussion on the nature of ‘Moby Dick’ embodies Melville’s intention with a stroke of ironic perfection.   Melville’s text is to reading what Ahab’s obsession is to life.  What ‘Moby Dick’ is about forms part of the profound mystery of the sea and ourselves, it is archetypal.Original Artist's Book by Meg Green

National Trust Clandon Park, Surrey UK

We are very pleased to be invited to teach Book Arts with the National Trust this summer at Clandon Park in lovely, leafy Surrey, UK.

National Trust Clandon Park

Historic Clandon Park is one of the UK’s most beautiful Palladian mansions. Built by a Venetian architect for Lord Onslow in the 1720s, the estate has been passed down through generations of this well known family.  A wonderful place to visit while participating in the heritage of hand bound books.

Dates for SUMMER 2015 to be confirmed very soon!

Guildhall Library Artist-In-Residence ExhibitionGuildhall Library Artist

‘LondEnfold’ by 2014 Artist-In-Residence Meg Green features a series of works inspired by the special collections of Guildhall Library, the world’s largest collection devoted to the history of a single city.

Meg’s hand-bound books expand off the page and climb out of the covers depicting some of the more unusual aspects of London’s extraordinary sense of place.

Exhibition runs Tuesday, 18 November through 13 December.
Workshop 1-4pm, Thursday 4 December, Advance booking required 020 7606 3030.
Presentation and Evening Reception, 6-8pm, 11 December, no booking necessary.

Looking forward to seeing you there!

Guildhall Library: the Library of London History

Guildhall Library is a public reference library specialising in the history of London. The Library’s printed books collection comprises over 200,000 titles dating from the 15th to the 21st centuries and includes books, pamphlets, periodicals, trade directories and poll books. The collection covers all aspects of life in London, past and present, its trade, people and buildings. In addition, we hold extensive collections covering maritime history, business history, clocks and clockmakers, internationally renowned collections of books on wine and food, historic English law reports and British parliamentary papers and statutes.”

UWE Bookmarks, Centre for Fine Print Research

UWE Special Edition Bookmarks 2014

‘Porthmeor’ 2014 bookmark from SomeOddPages.com

The annual UWE Bookmarks project aims to encourage work in the format of the artist’s book. Participating artists produce an edition of signed numbered bookmarks sent to selected venues around the world. Bookmarks have the website address which links to the online gallery hosted by the University of the West of England Book Arts Department.

July 2014:  Bookmarks released into the wild!

Here are the venues for this year’s UWE Bookmarks project:
Bergen Public Library, Strømgaten 6, 5015 Bergen, Norway
Edinburgh College of Art Library, Evolution House, West Port, Edinburgh EH1 2LE, Scotland
John M Flaxman Library Special Collections, The School of the Art Institute of Chicago, 37 S Wabash, Chicago, IL 60603, USA
Karingallery, 1/4 James St, Geelong VIC 3220, Australia
KHiB Library, Bergen Academy of Art and Design, Vaskerelven 8, 5014 Bergen, Norway
Minnesota Center for Book Arts, 1011 Washington Ave. S, Minneapolis, MN 55415, USA
Much Ado Books, 8 West Street, Alfriston, East Sussex, BN26 5UX, UK
Paul D. Fleck Library & Archives, The Banff Centre, 107 Tunnel Mountain Drive, Banff, Alberta, T1L 1H5, Canada
Robert Smail’s Printing Works, 7-9 High Street, Innerleithen, EH44 6HA, Scotland
Røldal Literature House, Kalvatræet, Røldal, Southern Norway

Book Arts exhibition

BOUND online Book Arts exhibition 16 – 30 April 2014

Some Odd Pages celebrates UNESCO World Book Day 2014 with an online exhibition of Book Arts featuring work across a wide range of skills, interests and charmingly bookish eccentricities.

See the unique works of 12 Book Artists and Bookbinders

Many of these works are available for purchase.  Your purchase helps individual Book Artists making unique books unlike anything you’ll find in shops or online through big corporate retailers.  Support hand made books that are really special, a wonderfully intriguing addition to your own library or to give as one-of-a-kind gifts.

There are so many reasons to celebrate 23 APRIL as Books and Roses day.  Here are some of the best:
To promote universal access to reading, writing, literacy and education
To promote cultural diversity, exchange and understanding
To improve access to culturally relevant reading materials in local and regional languages
To celebrate books as the global archive of humanity

Irina Bokova, Director General of UNESCO: 
“Our relationship with books determines our relationship with culture.  In all formats books embody ideas and values considered worthy of pursuit and preservation.”

Happy World Book Day 2014!

What is ‘PERFECT’?

'Story Line' Artist Book, What is perfectIs it when the grid is straight?
When the edges line up?
When all the colour stays inside the lines?

Maybe.  But not necessarily.

Very often I watch students experience anxiety as they work through a new process, cut into new materials or make the first marks of a text or drawing onto a white page.  They say things like, ‘I’m so nervous – I want it to be PERFECT.’   What does this mean and why is it the cause of so much anxiety?

It is disturbing that ideas of ‘Perfect’ are increasingly being replaced by ideas of machine-made. This arbitrary exchange of one set of subjective aesthetics for another clouds our judgement and undervalues the meaning and intent of original artworks.  This is especially important in Book Arts as the commercial manufacture of books is at an all time peak.  If we want a hand made book to look like it came from Paperchase, why don’t we just go to Paperchase and buy one?  It would be far simpler and less expensive.  Forcing a hand bound book to impersonate a machined object only conceals and subverts the essential nature of the hand made thing as well as the artist’s intention in making.

Do we want our books to look machined? Do we want all the edges to line up? All the angles to be square?  Maybe, but that’s not the point.  The point is that Some Odd Pages is hereby redefining PERFECT, particularly in regard to Artists’ Books, original artworks, and indeed all objects made by hand.  So, here it is officially:

PERFECT is determined by how well the object
EMBODIES THE ARTIST’S INTENTION
.

So, if aligned edges are essential to your concept, if straight geometry enacts your idea, if colouring inside the lines realises your intention, then so they should be.  On the other hand, if a big splashy, splodgey tangle of lines, cords, shapes and textures substantiates your vision then clearly it is PERFECT on its own terms.

Artist's Book, original painting, Coptic bindingThis in no way compromises the value of excellence in craftsmanship.  Expertise in materials, techniques and skills comes with time and practice.  If you don’t want your Artist’s Books to have all those glue marks all over the spine and covers perhaps it’s time to rethink how you arrange your workspace.  If you like clean well-laid corners and insets as much a I do, spacious unmarked margins, tight strong bindings which really support the weight of the book block, then it’s important to explore and practice ways of achieving this through workshops, experimentation and experience.

A ‘connoisseur’ is literally ‘one who knows’.  This idea isn’t restricted to the highest levels of making and achievement.  One who knows is acquainted with a subject across a broad range of styles, methods, materials and outcomes embracing a vast range of effects and results, from the clean and pristine to the wild and woolly.  Through practice, vision, intent and connoisseurship does the artist achieve artworks of perfection.

Guildhall Library, City of London

Guildhall Library, City of London

We are really excited about being Artist In Residence with Guildhall Library in the City of London this year! First established in 1425, the Guildhall Library houses a number of specialist collections and is itself a cornerstone in London’s great history.  Can’t wait to get underway, new work for their archives, workshops, panel discussions and an exhibition. #WaHey!

Guildhall Library: the library of London History

Guildhall Library is a public reference library specialising in the history of London. The Library’s printed books collection comprises over 200,000 titles dating from the 15th to the 21st centuries and includes books, pamphlets, periodicals, trade directories and poll books. The collection covers all aspects of life in London, past and present, its trade, people and buildings.  The library also holds extensive collections covering maritime history, business history, clocks and clockmakers, internationally renowned collections of books on wine and food, historic English law reports and British parliamentary papers and statutes.  Some manuscript collections can also be consulted at Guildhall Library.

Special collections include those devoted to Samuel Pepys, John Wilkes and Thomas More, plus the libraries of the Clockmakers’, Gardeners’ and Fletchers’ Companies, the Antiquarian Horological Society, Gresham College, and the Charles Lamb Society.

Everyone is welcome to visit Guildhall Library and no appointment or membership is necessary.​

Classes in Book Arts and Bookbinding 2013

Wonderful work this year!  Very inventive, creative adaptation of traditional techniques and forms to highly original new works.  Thank you everyone for an excellent year.  Have a lovely holiday and see you all again in the new year!

 

 

UWE: University of the West of England, Ltd Ed BookmarkUWE Bookmark Artist Edition

Final edition of 100 signed and numbered bookmarks for the University of the West of England, Centre for Fine Print Research. ‘Mapping West Penwith’ iss a different approach to mapping a personal sense of place in the far western Cornish peninsula.

See more about this annual project at BOOKMARKS

The annual ‘Bookmarks’ projects encourage appreciation of Artist’s Books. Participating artists each produce an edition of 100 signed and numbered bookmarks to give away through distribution boxes at venues around the world.  Each bookmark has the website address which brings visitors to the online gallery of artworks.

Over the last ten years, the Bookmarks projects of free artwork distribution has visited 105 galleries, bookstores, workshops, centres, schools and libraries in Australia, Brazil, Canada, Croatia, Cyprus, Denmark, Egypt, France, Germany, Iceland, Ireland, Italy, Japan, The Netherlands, New Zealand, Poland, Singapore, Spain, South Korea, Switzerland, Turkey, the UK and USA.

423 artists have contributed 42,300 bookmarks to the eleven projects to date. Editioned bookmarks are collated into sets; one full set being sent to each of the contributing artists and the rest divided and sent in distribution boxes to participating host venues around the world, for visitors to take.

Have a look through all the inspired and highly original bookmark artworks at:

http://www.bookarts.uwe.ac.uk/bookmark.htm

Participating Artists for the 2013 project:

http://www.bookarts.uwe.ac.uk/bkmks11/artists.htm

 

UWE Bookmark 2013

UWE Bookmark preparation

 

UWE Limited edition bookmark: ‘Infiltrating Libraries’

Trying to work out a different approach to landscape: sketches for UWE Bookmark project. (My Local, 247 miles away. Yep, that’s a chip stain across our old map.)

The Bookmarks projects series aims to encourage appreciation of work in the format of the artist’s book. Participating artists each produce an edition of 100 signed and numbered bookmarks to give away through distribution boxes at venues around the world. Each bookmark has the website address which brings visitors to the gallery of artworks online.

Over the last ten years, the Bookmarks series of free artwork distribution has visited 105 galleries, bookstores, workshops, centres, schools and libraries in Australia, Brazil, Canada, Croatia, Cyprus, Denmark, Egypt, France, Germany, Iceland, Ireland, Italy, Japan, The Netherlands, New Zealand, Poland, Singapore, Spain, South Korea, Switzerland, Turkey, the UK and USA.

423 artists have contributed 42,300 bookmarks to the eleven projects to date. Editioned bookmarks are collated into sets; one full set being sent to each of the contributing artists and the rest divided and sent in distribution boxes to participating host venues around the world, for visitors to take.