Tag Archives: fine art

Asahi Luxury Japanese Bookcloth

These paper-backed bookcloths are perfect for a rich and elegant finish.  Luxury archival material for books, boxes, portfolios, journals, albums and presentations.  Limited selection by the half or whole metre.

Japanese bookcloth

With a soft sheen and gently textured, these Japanese fabrics are easy to work adding a beautiful finish to artist editions, unique volumes and special projects.  Dye lots may vary, for exact match please order complete quantities at the outset.  Computer settings may effect colour perception.  Samples provided by request, special orders accepted.  ORDER ONLINE, UK Mainland Shipping

UWE Bookmark 2015:  ‘Jove’s Brother’UWE Bookmark 2015

Just completed, this year’s SPECIAL EDITION BOOKMARK for the University of the West of England‘s Centre for Fine Print Research ‘Bookmarks’ project is about to be shipped!

Inspired by Meg Green’s work, ‘JOVE’S BROTHER’, this edition of 100 signed and numbered bookmarks includes the electronically readable QR CODE of Jove’s Brother, transparent text and a random slice of Herman Melville’s iconic ‘MOBY DICK’ riveted together in layers.

The UWE ‘Bookmarks’ project aims to encourage appreciation of artists’ books as works of art. Participating artists each produce an edition of 100 signed and numbered bookmarks to give away through distribution boxes at venues around the world.  Over the years these bookmarks have been distributed in more than 125 galleries, bookstores, workshops, centres, schools and libraries in Australia, Brazil, Canada, Croatia, Cyprus, Denmark, Egypt, France, Germany, Iceland, Ireland, Italy, Japan, The Netherlands, New Zealand, Norway, Poland, Singapore, Spain, South Korea, Switzerland, Turkey, the UK and USA.

Order your own 2015 signed, numbered limited artist edition bookmark ‘Jove’s Brother’ by Meg Green.


Jove's Brother UWE Bookmark 2015 (3)   Jove's Brother UWE Bookmark 2015 (2)

More about ‘Jove’s Brother’

An observation on our evolving relationship with books and reading in a digital age.  Get out your QR code reader to explore this new book on reading in the age of digital media.

“Why did the Greeks give it a separate deity and own brother of Jove?  It is the image of the ungraspable phantom of life; and this is the key to it all.”    –  Herman Melville, Moby Dick, 1851

Artist Book kindle e-reader

‘Jove’s Brother’ by Meg Green 2015

The discussion surrounding overtaking technologies isn’t new, it’s one we have every time a new technology redraws the ways in which we perceive and communicate ideas.  Photography was supposed to have killed painting, video was supposed to have killed film.  Once upon a time, books were the new ‘technology’ that threatened the practice of impressing pointy Cuneiform shapes into little clay tablets.

Clearly, digital books aren’t somehow ‘better‘ than conventional paper books, they’re simply a different medium of exchange.  We aren’t confused about it either, we see and feel the differences between a conventional book and an e-reader, a paper page and a digital screen.

We are physical creatures, our perceptions conceived and conducted within our organic brains and bodies.  We maintain physical immediacy with the objects through which we express ourselves, exchange experiences and communicate ideas.  Our methods continue to change and evolve but this helps refine our subtlety and depth of understanding, our relationship to ‘reading’, books, text, coded images and abstract perceptions.

The Codex and The Screen: Stating the ObviousOriginal Artist's Book by Meg Green

The book: a codex of turnable paper(?) pages assembled within covers comprising a set of material properties specific to its construction.  The illuminated screen, whether an e-reader, mobile phone, laptop or billboard, obviously behaves in ways specific to its own material properties.  The idea of Reading has traditionally implied a universality across all forms of media => Reading is reading, without regard to the format or context of the material.

However, the way we interact with different types of reading is now the pivot of change in digital media.  Reading is no longer a universal or uniform activity irrespective of the mediating device.  Marshall McLuhan taught us this decades ago with ‘The Medium is the Massage’.  We ‘read’ differently from a screen, a mobile, a roadside sign, or a paper codex.  It’s not just about absorbing information or finding things out, an activity well served by the internet.  The aesthetic experience of reading depends on the way we access it.  Memory, retention and depth depend on the material properties we select for different types of reading.

Research on the changing way we readOriginal Artist's Book by Meg Green

A new European study led by Anne Mangen of Norway’s Stavanger University documents differences in the immersion, recall and emotional responses based on whether material is presented in traditional paper book form or via digital e-reader.  Researchers found that digital reading is becoming more intermittent and fragmented.  They also found that the time invested in sustained reading strengthens our ability to maintain long term focus, improves our understanding of depth, complexity and layered meaning, and provides a more thoroughly immersive experience.  Sustained focus helps people, especially children at formative education levels, prepare for and negotiate complex life situations with more balanced references to deeper memory and cultural experiences.

Why Moby DickOriginal Artist's Book by Meg Green

I turned to Herman Melville’s ‘Moby Dick’ as an intuitive choice specifically appropriate to my vision for this work.

Moby Dick is famously debated as one of the few compositions in any language about which no one seems to agree on its content.  Ask any number of scholars, professors, casual readers or innocent bystanders what it’s ABOUT and you will get as many answers as there are questions.  There are central themes, of course, but there is no consensus on the subject of this book.  Is it about fishing?  About the sea?  A philosophical discussion about Savage Nature versus the Devine?  Yes.  And no.

The open, ongoing and seemingly timeless discussion on the nature of ‘Moby Dick’ embodies Melville’s intention with a stroke of ironic perfection.   Melville’s text is to reading what Ahab’s obsession is to life.  What ‘Moby Dick’ is about forms part of the profound mystery of the sea and ourselves, it is archetypal.Original Artist's Book by Meg Green

New Artist’s Book ‘Jove’s Brother’

Artist's Book Meg Green 2015

‘Jove’s Brother’ by Meg Green, 2015.
Ink, plastic, cord, Kindles.
H 165, W 115, D 65 mm

‘Jove’s Brother’ is an observation on our changing relationship with books and reading.

Seven non-functioning Kindle e-readers have been bound into one complete volume.  Each hand drawn ‘page’ constructs a series of images eventually forming a QR code which can be read by mobile, tablet or laptop.  The code links to the continuous text of one of the most iconic books ever written in the English language displayed down a single page of this non-commercial dedicated website JovesBrother.com.  The title of this artwork is revealed by searching the text.

See more about this unique concept book at Jove’s Brother.

Jove's Brother Original Artist's Book by Meg Green Original Artist's Book by Meg Green Original Artist's Book by Meg Green Original Artist's Book by Meg Green Original Artist's Book by Meg Green Original Artist's Book by Meg Green  Original Artist's Book by Meg Green Original Artist's Book by Meg GreenJove's Brother Original Artist's Book Meg Green 2015

The way we understand and absorb reading is changing

A new European study led by Anne Mangen of Norway’s Stavanger University, documents differences in the immersion, recall and emotional responses to a story based on whether the material is presented in traditional paper book form or via digital e-reader.  The researchers found that “the tactile experience of a Kindle does not provide the same support for mental reconstruction of a story as a print pocket book does”.

“When you read on paper it is a tactile experience,” says Mangen who also highlighted a paper published last year found that “students who read texts in print scored significantly better on the reading comprehension test than students who read the texts digitally.”

New European study into empirical effects of digitisation on text reading shows reading is becoming more intermittent and fragmented with “empirical evidence indicating screen devices might negatively impact cognitive and emotional aspects of reading”.

The fact that sustained reading takes time strengthens our ability to maintain long term focus, improves our understanding of depth, complexity and layered meaning, and provides a more thoroughly immersive experience of reading in general.  This level of sustained focus helps people, especially children at formative education levels, prepare for and negotiate complex life situations with more balanced references to deeper memory and cultural experiences.

Context is everything.  #RealPaperBooks.

Guildhall Library Exhibtion ‘LondEnfold’
18 Nov – 13 Dec 2014

Book artist Meg Green has created a series of works inspired by the archives of Guildhall Library, the largest collection in the world
devoted to the history of a single city.

In a special Guildhall LIbrary Exhibition, these unique hand-bound books expand off the page and climb out of the covers depicting some of the more unusual aspects of London’s extraordinary sense of place.

‘Treasure’Treasure 08

Eight hinged folios, Index, Drop down panel box.
Each folio contains a detailed composition inspired by a specific book within the Guildhall Library.  Discover the details of each book by matching the folio image to the Index thumbnail to locate it within the archives.
Look INSIDE the box!

‘selected BROADSIDES of the Guildhall Library’Broadsides Guildhall Library

Fold-out reversible pamphlet.
Inspired by the Broadsides collections of Guildhall Library.
Twelve panels depicting details of selected Broadside sheets within Guildhall Library’s archives.  Each panel includes the Broadside archive reference number.
Open this book and SEE all the pages!

‘LondEnfold’Guildhall Library Exhibtion

Back-to-back book with fold-out timeline and diptych.
Pictorial timeline of the history of Guildhall Library informed by Dr. Peter Cook’s 2012 lecture for Gresham College on this subject.  Layout and artwork inspired by  the architecture of Guildhall Yard and the Roman Amphitheatre situated directly beneath street level, access via Guildhall Art Gallery.

Guildhall Library Exhibtion Guildhall Library Exhibtion

Evening view & reception: ‘LondEnfold’
Thursday, 11 December, 6 – 8pm
CONTACT: GHLevents@cityoflondon.gov.uk
or register with Some Odd Pages on Facebook

“Guildhall Library Artist-In-Residence Meg Green presents ‘LondEnfold’ a range of original Artist’s Books inspired by the Library’s collections. Meg will be discussing books as artworks, and vice versa, along with some of the eccentric ideas and projects which fuel this unusual occupation. The presentation will be followed by an open reception where visitors are invited to browse the Artist’s Books with time for questions and discussion.”

An Introduction to Books Arts
Thursday, 4 December, 1 – 4pm

£45 Advance booking essential
“Discover a range of techniques and make your own books during this half-day workshop. Led by Meg Green of Some Odd Pages Book Arts studio, this interactive session lets you explore materials and develop your own ideas in Book Arts and bookbinding, perfect for creating unique artist’s books and for Christmas. Materials included, tools provided. No experience necessary.”

Guildhall Library Artist-In-Residence ExhibitionGuildhall Library Artist

‘LondEnfold’ by 2014 Artist-In-Residence Meg Green features a series of works inspired by the special collections of Guildhall Library, the world’s largest collection devoted to the history of a single city.

Meg’s hand-bound books expand off the page and climb out of the covers depicting some of the more unusual aspects of London’s extraordinary sense of place.

Exhibition runs Tuesday, 18 November through 13 December.
Workshop 1-4pm, Thursday 4 December, Advance booking required 020 7606 3030.
Presentation and Evening Reception, 6-8pm, 11 December, no booking necessary.

Looking forward to seeing you there!

Guildhall Library: the Library of London History

Guildhall Library is a public reference library specialising in the history of London. The Library’s printed books collection comprises over 200,000 titles dating from the 15th to the 21st centuries and includes books, pamphlets, periodicals, trade directories and poll books. The collection covers all aspects of life in London, past and present, its trade, people and buildings. In addition, we hold extensive collections covering maritime history, business history, clocks and clockmakers, internationally renowned collections of books on wine and food, historic English law reports and British parliamentary papers and statutes.”

Cassone Art online magazine

Online magazine www.Cassone-Art.com recently invited us to write a Featured Review of Goldsmiths’ Fine Art & Art History degree student exhibition off Brick Lane in London, UK.
Read the full article:  http://www.cassone-art.com/magazine/article/2014/06/goldsmiths-young-artists-build-their-future-in-brick-lane/?psrc=perspectives

‘The Middle’

Down a small side street off Brick Lane, Goldsmiths art students are provoking gallery goers yet again.  Level 2 Fine Art & Art History students recently mounted their first mid-programme exhibition ‘The Middle’ in March 2014 at The Rag Factory, an affordable studio complex off Brick Lane (Tube: Aldgate East).  The shadowy cleavage on their invitation is as seductive as the entrance to their space in the ‘Apricot Gallery’, a hairpin turn down a dark passage.  In their press release, they bait the media wondering if it’s time for a new movement of young artists in London.  Time to shake things up a bit.

Meg Green holds Bachelor and Master of Fine Arts Degrees in Printmaking and Book Arts.  She is the founder of Atelier Soleil, Centre for Book Arts in her native Montreal and Some Odd Pages in London, UK.  Her original works have exhibited and sold in Montreal, New York and London since 1996.  

Book Arts exhibition

BOUND online Book Arts exhibition 16 – 30 April 2014

Some Odd Pages celebrates UNESCO World Book Day 2014 with an online exhibition of Book Arts featuring work across a wide range of skills, interests and charmingly bookish eccentricities.

See the unique works of 12 Book Artists and Bookbinders

Many of these works are available for purchase.  Your purchase helps individual Book Artists making unique books unlike anything you’ll find in shops or online through big corporate retailers.  Support hand made books that are really special, a wonderfully intriguing addition to your own library or to give as one-of-a-kind gifts.

There are so many reasons to celebrate 23 APRIL as Books and Roses day.  Here are some of the best:
To promote universal access to reading, writing, literacy and education
To promote cultural diversity, exchange and understanding
To improve access to culturally relevant reading materials in local and regional languages
To celebrate books as the global archive of humanity

Irina Bokova, Director General of UNESCO: 
“Our relationship with books determines our relationship with culture.  In all formats books embody ideas and values considered worthy of pursuit and preservation.”

Happy World Book Day 2014!