Tag Archives: bookbinding materials

New Bone Folders

SPECIALIST small folders

In polished bone and horn, these folders are perfect for delicate work, box making, small bindings and tight corners.  Hand tools of excellent craftsmanship for creating beautiful hand bound books, boxes, portfolios and all kinds of hand worked items where intricate detail and careful finishing are essential.

Bone FoldersBone Folders

 

 

 

 

 

Polished 4″ BONE Folder  £7.50

Polished 4″ HORN Folder  £8.00

SEE OUR STOCK OF BOOK ARTS & BOOKBINDING HAND TOOLS HERE   including our standard 6″ treated bone folders, Bookbinder Tool Kits, Materials, Bookcloth, Pre-cut project kits, hand marbled papers and more.

Standard 6″ Bone Folders, Treated  £9.00

Our standard size 6″ bone folders are treated to resist stains, adhesives and added strength for durability gradually acquiring a natural sheen and polish through normal use becoming more beautiful over time.  An essential hand tool for any bookbinder or artist whose work depends on craftsmanship and fine finishing.

 

Workshop with the National Trust at Hatchlands ParkHatchlands Park 2

We are very pleased to offer a SPECIAL SESSION in partnership with the National Trust this summer at beautiful Hatchlands Park .  This parkland is mentioned in the Domesday Book while the Georgian mansion, built in 1750 by Admiral Boscawen with architect Stiff Ledbetter, has been home to several interesting and historical families over the years.

See Shakespeare’s famous portrait, explore one of Europe’s largest collection of musical instruments, the Cobbe Collection, tour this beautiful and historical mansion and gardens while learning to make your own hand bound books.  A great day out with a well made, beautiful book of your own to take home!

National TrustWorkshop Date & Time:
Thursday, 16 July 2015, 9am – 1pm
Entry to the house and gardens, workshop tuition, materials and refreshments included.

“Learn the basics of bookbinding and create your own book. This session covers book boards, papers and cloths, grain, adhesives and pattern making as well as a range of specialist materials and tools to use.  Learn reliable techniques for measuring, cutting, aligning, folding, gluing and pressing to produce beautiful, hand-bound books of sound and lasting construction. Students will complete one multi-section, hard cover book making a perfect sketchbook, diary or gift, all under the guidance of expert tutor Meg Green. Tea, coffee and cake will be provided in the price of your ticket.”

After a devastating fire destroyed much of beautiful Clandon Park we will be holding our Summer Workshops at nearby Hatchlands Park. You can still book ONLINE with the Clandon Park site or contact Some Odd Pages studio or the National Trust to reserve your place.

Asahi Luxury Japanese Bookcloth

These paper-backed bookcloths are perfect for a rich and elegant finish.  Luxury archival material for books, boxes, portfolios, journals, albums and presentations.  Limited selection by the half or whole metre.

Japanese bookcloth

With a soft sheen and gently textured, these Japanese fabrics are easy to work adding a beautiful finish to artist editions, unique volumes and special projects.  Dye lots may vary, for exact match please order complete quantities at the outset.  Computer settings may effect colour perception.  Samples provided by request, special orders accepted.  ORDER ONLINE, UK Mainland Shipping

What is ‘PERFECT’?

'Story Line' Artist Book, What is perfectIs it when the grid is straight?
When the edges line up?
When all the colour stays inside the lines?

Maybe.  But not necessarily.

Very often I watch students experience anxiety as they work through a new process, cut into new materials or make the first marks of a text or drawing onto a white page.  They say things like, ‘I’m so nervous – I want it to be PERFECT.’   What does this mean and why is it the cause of so much anxiety?

It is disturbing that ideas of ‘Perfect’ are increasingly being replaced by ideas of machine-made. This arbitrary exchange of one set of subjective aesthetics for another clouds our judgement and undervalues the meaning and intent of original artworks.  This is especially important in Book Arts as the commercial manufacture of books is at an all time peak.  If we want a hand made book to look like it came from Paperchase, why don’t we just go to Paperchase and buy one?  It would be far simpler and less expensive.  Forcing a hand bound book to impersonate a machined object only conceals and subverts the essential nature of the hand made thing as well as the artist’s intention in making.

Do we want our books to look machined? Do we want all the edges to line up? All the angles to be square?  Maybe, but that’s not the point.  The point is that Some Odd Pages is hereby redefining PERFECT, particularly in regard to Artists’ Books, original artworks, and indeed all objects made by hand.  So, here it is officially:

PERFECT is determined by how well the object
EMBODIES THE ARTIST’S INTENTION
.

So, if aligned edges are essential to your concept, if straight geometry enacts your idea, if colouring inside the lines realises your intention, then so they should be.  On the other hand, if a big splashy, splodgey tangle of lines, cords, shapes and textures substantiates your vision then clearly it is PERFECT on its own terms.

Artist's Book, original painting, Coptic bindingThis in no way compromises the value of excellence in craftsmanship.  Expertise in materials, techniques and skills comes with time and practice.  If you don’t want your Artist’s Books to have all those glue marks all over the spine and covers perhaps it’s time to rethink how you arrange your workspace.  If you like clean well-laid corners and insets as much a I do, spacious unmarked margins, tight strong bindings which really support the weight of the book block, then it’s important to explore and practice ways of achieving this through workshops, experimentation and experience.

A ‘connoisseur’ is literally ‘one who knows’.  This idea isn’t restricted to the highest levels of making and achievement.  One who knows is acquainted with a subject across a broad range of styles, methods, materials and outcomes embracing a vast range of effects and results, from the clean and pristine to the wild and woolly.  Through practice, vision, intent and connoisseurship does the artist achieve artworks of perfection.

Classes in Book Arts and Bookbinding 2013

Wonderful work this year!  Very inventive, creative adaptation of traditional techniques and forms to highly original new works.  Thank you everyone for an excellent year.  Have a lovely holiday and see you all again in the new year!

 

 

Give them back their favourite book this Christmas season

Book repair and rebinding

Perfect Christmas gift

It’s clearly too early for tinsel in the shops but now is the very time to get your broken books over to your trusted bookbinder in time for Christmas. Have their favourite volume repaired or rebound, a perfect gift for someone special this season. Don’t leave it to the last minute, work table priority list is filling up now.

Wednesday Book Arts courses with RACC Twickenham

RACC book arts wednesdays

RACC Twickenham

Wednesday BOOK ARTS now open for enrolment with the RACC:

Intermediate Bookbinding Workshop, 9.30 – 12.30
Book Arts for Beginners, 13.30 – 16.30

These courses are an incredibly good value as they are supported through the RACC funding structures.  They are held in the beautiful Clifden House studios in Twickenham and focus on core skills, creative development and unique hand bound books. Places are limited, book in advance to avoid disappointment. www.racc.ac.uk/course/C00125-131401

Location:  Clifden House, Twickenham
Days/Times:  Wednesdays 9:30-12.30, 13.30-16.30

Course Overview:

This course explores book binding techniques, structures and projects of intermediate complexity. Projects establish progressive skills upon which you can build and reliably adapt.

Intermediate binding techniques, book structures, pattern making and prototyping, tools and materials will be covered as well as adapting materials, Artist Editions and exhibitions.

Develop your own personal project with tutored guidance. Projects draw upon western and eastern historical bindings as well as intermediate book concepts such as text and image, layering, fold-outs, non-adhesive bindings and the book as sculptural object.

Demonstrations and projects teach safe, reliable and adaptable techniques to produce beautiful, hand-bound books of sound construction and lasting beauty.

Course Content:

Develop creative content while progressing through a intermediate range of technical skills which can be combined and adapted to develop your own project. Then create your own Artist’s Book using techniques, materials and interests developed through the skills projects.

Binding methods combine western and eastern techniques, traditional and contemporary approaches to books and book structures. Learn safe and reliable techniques for measuring, cutting, aligning, folding, gluing and pressing in order to produce an Artist’s Book which embodies the artists’ intention.

Sessions include demonstrations, detailed handouts, step-by-step instructions & diagrams, one-to-one guidance, group discussion and group learning. Students of various levels work together enhancing an exchange of ideas, skills and mutual inspiration.

New Bookcloth has arrived!
Rich, juicy colours in time for autumn.

New book cloth has now arrived in giant rolls at the studio just in time for Autumn Workshops!  We are very excited to now offer our clients a choice of luscious rich cloth colours for bespoke orders, workshops, and ready made sketchbooks and journals.

Take a look at these gorgeous colours: