Guildhall Library Exhibtion ‘LondEnfold’
18 Nov – 13 Dec 2014
Book artist Meg Green has created a series of works inspired by the archives of Guildhall Library, the largest collection in the world
devoted to the history of a single city.
In a special Guildhall LIbrary Exhibition, these unique hand-bound books expand off the page and climb out of the covers depicting some of the more unusual aspects of London’s extraordinary sense of place.
Eight hinged folios, Index, Drop down panel box.
Each folio contains a detailed composition inspired by a specific book within the Guildhall Library. Discover the details of each book by matching the folio image to the Index thumbnail to locate it within the archives.
Look INSIDE the box!
Fold-out reversible pamphlet.
Inspired by the Broadsides collections of Guildhall Library.
Twelve panels depicting details of selected Broadside sheets within Guildhall Library’s archives. Each panel includes the Broadside archive reference number.
Open this book and SEE all the pages!
Back-to-back book with fold-out timeline and diptych.
Pictorial timeline of the history of Guildhall Library informed by Dr. Peter Cook’s 2012 lecture for Gresham College on this subject. Layout and artwork inspired by the architecture of Guildhall Yard and the Roman Amphitheatre situated directly beneath street level, access via Guildhall Art Gallery.
Evening view & reception: ‘LondEnfold’
Thursday, 11 December, 6 – 8pm
or register with Some Odd Pages on Facebook
“Guildhall Library Artist-In-Residence Meg Green presents ‘LondEnfold’ a range of original Artist’s Books inspired by the Library’s collections. Meg will be discussing books as artworks, and vice versa, along with some of the eccentric ideas and projects which fuel this unusual occupation. The presentation will be followed by an open reception where visitors are invited to browse the Artist’s Books with time for questions and discussion.”
An Introduction to Books Arts
Thursday, 4 December, 1 – 4pm
£45 Advance booking essential
“Discover a range of techniques and make your own books during this half-day workshop. Led by Meg Green of Some Odd Pages Book Arts studio, this interactive session lets you explore materials and develop your own ideas in Book Arts and bookbinding, perfect for creating unique artist’s books and for Christmas. Materials included, tools provided. No experience necessary.”
Guildhall Library Artist-In-Residence Exhibition
‘LondEnfold’ by 2014 Artist-In-Residence Meg Green features a series of works inspired by the special collections of Guildhall Library, the world’s largest collection devoted to the history of a single city.
Meg’s hand-bound books expand off the page and climb out of the covers depicting some of the more unusual aspects of London’s extraordinary sense of place.
Exhibition runs Tuesday, 18 November through 13 December.
Workshop 1-4pm, Thursday 4 December, Advance booking required 020 7606 3030.
Presentation and Evening Reception, 6-8pm, 11 December, no booking necessary.
Looking forward to seeing you there!
Guildhall Library: the Library of London History
“Guildhall Library is a public reference library specialising in the history of London. The Library’s printed books collection comprises over 200,000 titles dating from the 15th to the 21st centuries and includes books, pamphlets, periodicals, trade directories and poll books. The collection covers all aspects of life in London, past and present, its trade, people and buildings. In addition, we hold extensive collections covering maritime history, business history, clocks and clockmakers, internationally renowned collections of books on wine and food, historic English law reports and British parliamentary papers and statutes.”
Guildhall Library, City of London
We are really excited about being Artist In Residence with Guildhall Library in the City of London this year! First established in 1425, the Guildhall Library houses a number of specialist collections and is itself a cornerstone in London’s great history. Can’t wait to get underway, new work for their archives, workshops, panel discussions and an exhibition. #WaHey!
Guildhall Library: the library of London History
Guildhall Library is a public reference library specialising in the history of London. The Library’s printed books collection comprises over 200,000 titles dating from the 15th to the 21st centuries and includes books, pamphlets, periodicals, trade directories and poll books. The collection covers all aspects of life in London, past and present, its trade, people and buildings. The library also holds extensive collections covering maritime history, business history, clocks and clockmakers, internationally renowned collections of books on wine and food, historic English law reports and British parliamentary papers and statutes. Some manuscript collections can also be consulted at Guildhall Library.
Special collections include those devoted to Samuel Pepys, John Wilkes and Thomas More, plus the libraries of the Clockmakers’, Gardeners’ and Fletchers’ Companies, the Antiquarian Horological Society, Gresham College, and the Charles Lamb Society.
Everyone is welcome to visit Guildhall Library and no appointment or membership is necessary.
Fine Art Papers
Here’s a good overview of different methods of papermaking from Whittington Press:
Hand Made Paper
Cellulose fibres (plant fibres usually from cotton) are shredded and mixed with water. The mixture of fibres and water, which is very dilute, is called pulp. It is passed into a vat in which it is agitated mechanically to give an even concentration, The papermaker (vatman) stands by with a pair of moulds. A mould is a rigid wooden frame covered with a fine wire mesh. He produces a sheet of paper by dipping the mould into the pulp and lifting it out with a shaking action. The water drains off leaving a matt of fibres in the mould the outer edges of which is called a deckle. The edge of the sheet is at the deckle, but one gets fibre seepage under the deckle. Thus the edge of the sheet is not a sharp edge, but a rather ragged graduation down to nothing – this is called a deckled edge and is the natural edge obtained when paper is made by hand. Because of the method of manufacture, the fibre orientation is random and there are no significant differences in properties of the sheet in the long or short direction.
Mould Made Paper
Pulp is prepared in the same way as for hand-made paper and is usually of the same high quality raw materials. At the point of manufacture, the process is now automated and the pulp is passed into a vat that contains a rotating cylinder partly immersed in the pulp, again covered in a fine wire mesh. This is the cylinder mould form which the paper takes its descriptive name. As the cylinder rotates, the fibre forms into a matt on the outside of the cylinder. Just after the highest point of rotation and before re-entering the vat, this matt of fibres is couched off onto a felt and removed continuously from the point of manufacture to be further processed. Because of the nature of the machine which is usually run very slowly, although there is a difference in properties between the long and short directions of the paper but not so pronounced as for commercially manufactured machine-made paper.
Machine Made Paper
Again cellulose fibre is prepared to give a pulp in low concentration in water. Commonly, but not always with machine-made paper, the pulp is of lower quality than for either of the above. This is now passed onto a horizontal fast moving wire mesh and the excess water drains through, leaving the sheet formed on the wire. This principle was developed by the Fourdrinier brothers and this type of machine is called a Fourdrinier machine. This machine is accepted today as giving the most economical production and is used to produce large quantities of cheaper paper which are produced at high speed. Because of this normally high speed production, the sheet will show very marked differences in properties between the long and short direction of the sheet.
We Love Our Books
Books are instinctive. They fit our hands and our ‘ocular readers’ are already installed.
Books don’t require electrical plugs, a power source or a screen. Books do not crash.
Books can be shared, stored and retrieved without any special equipment.
We move with ease throughout a book, seeing all the pages at once.
A book can be any size and shape, an architecture of pages and covers that can fold out, hang up, turn inside out or collapse down, a portal, a doorstop, a footstool, a leg prop or a drinks coaster.
Books are a sculptural, narrative, visual, tactile, intimate, monumental and timeless.
The mighty and humble book, infinitely adaptable content and context between moving covers.