Tag Archives: artists

Workshop Book Arts:
Summer session developing content in Artists’ Books

‘City Scape:  Reimagining the Built Environment’ 

This special workshop focused on ways to inspire new content creating unique Artists’ Books in the studio.

In an open learning group, we first looked at various artists and the ways landscape and the built environment have been depicted in abstract forms.  Students then worked through the stages of creating their own interpretation using specific sites and styles for inspiration.  The works were then considered for composition and page layout and folded into book form.  Although we only had two and a half hours to work, some highly individual and very interesting works emerged!  Here’s the demo model from the day:

creative artists' book creative artists' book creative artists' book creative artists' book creative artists' book creative artists' book

New Artist’s Book ‘Jove’s Brother’

Artist's Book Meg Green 2015

‘Jove’s Brother’ by Meg Green, 2015.
Ink, plastic, cord, Kindles.
H 165, W 115, D 65 mm

‘Jove’s Brother’ is an observation on our changing relationship with books and reading.

Seven non-functioning Kindle e-readers have been bound into one complete volume.  Each hand drawn ‘page’ constructs a series of images eventually forming a QR code which can be read by mobile, tablet or laptop.  The code links to the continuous text of one of the most iconic books ever written in the English language displayed down a single page of this non-commercial dedicated website JovesBrother.com.  The title of this artwork is revealed by searching the text.

See more about this unique concept book at Jove’s Brother.

Jove's Brother Original Artist's Book by Meg Green Original Artist's Book by Meg Green Original Artist's Book by Meg Green Original Artist's Book by Meg Green Original Artist's Book by Meg Green Original Artist's Book by Meg Green  Original Artist's Book by Meg Green Original Artist's Book by Meg GreenJove's Brother Original Artist's Book Meg Green 2015

The way we understand and absorb reading is changing

A new European study led by Anne Mangen of Norway’s Stavanger University, documents differences in the immersion, recall and emotional responses to a story based on whether the material is presented in traditional paper book form or via digital e-reader.  The researchers found that “the tactile experience of a Kindle does not provide the same support for mental reconstruction of a story as a print pocket book does”.

“When you read on paper it is a tactile experience,” says Mangen who also highlighted a paper published last year found that “students who read texts in print scored significantly better on the reading comprehension test than students who read the texts digitally.”

New European study into empirical effects of digitisation on text reading shows reading is becoming more intermittent and fragmented with “empirical evidence indicating screen devices might negatively impact cognitive and emotional aspects of reading”.

The fact that sustained reading takes time strengthens our ability to maintain long term focus, improves our understanding of depth, complexity and layered meaning, and provides a more thoroughly immersive experience of reading in general.  This level of sustained focus helps people, especially children at formative education levels, prepare for and negotiate complex life situations with more balanced references to deeper memory and cultural experiences.

Context is everything.  #RealPaperBooks.

Guildhall Library Exhibtion ‘LondEnfold’
18 Nov – 13 Dec 2014

Book artist Meg Green has created a series of works inspired by the archives of Guildhall Library, the largest collection in the world
devoted to the history of a single city.

In a special Guildhall LIbrary Exhibition, these unique hand-bound books expand off the page and climb out of the covers depicting some of the more unusual aspects of London’s extraordinary sense of place.

‘Treasure’Treasure 08

Eight hinged folios, Index, Drop down panel box.
Each folio contains a detailed composition inspired by a specific book within the Guildhall Library.  Discover the details of each book by matching the folio image to the Index thumbnail to locate it within the archives.
Look INSIDE the box!

‘selected BROADSIDES of the Guildhall Library’Broadsides Guildhall Library

Fold-out reversible pamphlet.
Inspired by the Broadsides collections of Guildhall Library.
Twelve panels depicting details of selected Broadside sheets within Guildhall Library’s archives.  Each panel includes the Broadside archive reference number.
Open this book and SEE all the pages!

‘LondEnfold’Guildhall Library Exhibtion

Back-to-back book with fold-out timeline and diptych.
Pictorial timeline of the history of Guildhall Library informed by Dr. Peter Cook’s 2012 lecture for Gresham College on this subject.  Layout and artwork inspired by  the architecture of Guildhall Yard and the Roman Amphitheatre situated directly beneath street level, access via Guildhall Art Gallery.

Guildhall Library Exhibtion Guildhall Library Exhibtion

Evening view & reception: ‘LondEnfold’
Thursday, 11 December, 6 – 8pm
CONTACT: GHLevents@cityoflondon.gov.uk
or register with Some Odd Pages on Facebook

“Guildhall Library Artist-In-Residence Meg Green presents ‘LondEnfold’ a range of original Artist’s Books inspired by the Library’s collections. Meg will be discussing books as artworks, and vice versa, along with some of the eccentric ideas and projects which fuel this unusual occupation. The presentation will be followed by an open reception where visitors are invited to browse the Artist’s Books with time for questions and discussion.”

An Introduction to Books Arts
Thursday, 4 December, 1 – 4pm

£45 Advance booking essential
“Discover a range of techniques and make your own books during this half-day workshop. Led by Meg Green of Some Odd Pages Book Arts studio, this interactive session lets you explore materials and develop your own ideas in Book Arts and bookbinding, perfect for creating unique artist’s books and for Christmas. Materials included, tools provided. No experience necessary.”

Cassone Art online magazine

Online magazine www.Cassone-Art.com recently invited us to write a Featured Review of Goldsmiths’ Fine Art & Art History degree student exhibition off Brick Lane in London, UK.
Read the full article:  http://www.cassone-art.com/magazine/article/2014/06/goldsmiths-young-artists-build-their-future-in-brick-lane/?psrc=perspectives

‘The Middle’

Down a small side street off Brick Lane, Goldsmiths art students are provoking gallery goers yet again.  Level 2 Fine Art & Art History students recently mounted their first mid-programme exhibition ‘The Middle’ in March 2014 at The Rag Factory, an affordable studio complex off Brick Lane (Tube: Aldgate East).  The shadowy cleavage on their invitation is as seductive as the entrance to their space in the ‘Apricot Gallery’, a hairpin turn down a dark passage.  In their press release, they bait the media wondering if it’s time for a new movement of young artists in London.  Time to shake things up a bit.

Meg Green holds Bachelor and Master of Fine Arts Degrees in Printmaking and Book Arts.  She is the founder of Atelier Soleil, Centre for Book Arts in her native Montreal and Some Odd Pages in London, UK.  Her original works have exhibited and sold in Montreal, New York and London since 1996.  

What is ‘PERFECT’?

'Story Line' Artist Book, What is perfectIs it when the grid is straight?
When the edges line up?
When all the colour stays inside the lines?

Maybe.  But not necessarily.

Very often I watch students experience anxiety as they work through a new process, cut into new materials or make the first marks of a text or drawing onto a white page.  They say things like, ‘I’m so nervous – I want it to be PERFECT.’   What does this mean and why is it the cause of so much anxiety?

It is disturbing that ideas of ‘Perfect’ are increasingly being replaced by ideas of machine-made. This arbitrary exchange of one set of subjective aesthetics for another clouds our judgement and undervalues the meaning and intent of original artworks.  This is especially important in Book Arts as the commercial manufacture of books is at an all time peak.  If we want a hand made book to look like it came from Paperchase, why don’t we just go to Paperchase and buy one?  It would be far simpler and less expensive.  Forcing a hand bound book to impersonate a machined object only conceals and subverts the essential nature of the hand made thing as well as the artist’s intention in making.

Do we want our books to look machined? Do we want all the edges to line up? All the angles to be square?  Maybe, but that’s not the point.  The point is that Some Odd Pages is hereby redefining PERFECT, particularly in regard to Artists’ Books, original artworks, and indeed all objects made by hand.  So, here it is officially:

PERFECT is determined by how well the object
EMBODIES THE ARTIST’S INTENTION
.

So, if aligned edges are essential to your concept, if straight geometry enacts your idea, if colouring inside the lines realises your intention, then so they should be.  On the other hand, if a big splashy, splodgey tangle of lines, cords, shapes and textures substantiates your vision then clearly it is PERFECT on its own terms.

Artist's Book, original painting, Coptic bindingThis in no way compromises the value of excellence in craftsmanship.  Expertise in materials, techniques and skills comes with time and practice.  If you don’t want your Artist’s Books to have all those glue marks all over the spine and covers perhaps it’s time to rethink how you arrange your workspace.  If you like clean well-laid corners and insets as much a I do, spacious unmarked margins, tight strong bindings which really support the weight of the book block, then it’s important to explore and practice ways of achieving this through workshops, experimentation and experience.

A ‘connoisseur’ is literally ‘one who knows’.  This idea isn’t restricted to the highest levels of making and achievement.  One who knows is acquainted with a subject across a broad range of styles, methods, materials and outcomes embracing a vast range of effects and results, from the clean and pristine to the wild and woolly.  Through practice, vision, intent and connoisseurship does the artist achieve artworks of perfection.

New hand bound leather journals

We’ve had a lot of response to the Rome, The Eternal City as our client has been very enthusiastic about our work (#Hoooooray!) and has showed a lot of people (thank you!).  So, we decided to carry on in this direction and have created a new range of bright leather journals for the autumn season.

Limited Artist Edition Journals, 192 pages of 130gsm fine art paper, strong hard covers and spine, original design lining, magnetic clasp closure, two page markers, hand bound in fine leather in two sizes: £70 small (A6) or £90 (A5) and a range of colours:  Moss, Azure, Giraffe, British Red, Double Cream White and Sienna Natural.  These journals are perfect for travel or as a unique hand crafted gift, they are refillable on order and bespoke orders accepted.